Cinema
24 - 30 Nov 2017
Feature
films screened in UK cinemas for the first time:
3 Million Euros
3 Million Euros
Trys milijonai eurų
Pol - 2017 - 90m - col / scope
D: Tadas Vidmantas
Audio: 5.1
Pol - 2017 - 90m - col / scope
D: Tadas Vidmantas
Audio: 5.1
Battle
of the Sexes
USA/UK - 2017 - 121m - col / scope
D: Jonathan Dayton, Valerie Faris
Audio: 5.1
USA/UK - 2017 - 121m - col / scope
D: Jonathan Dayton, Valerie Faris
Audio: 5.1
Beach
Rats
USA - 2017 - 98m - col
D: Eliza Hittman
Audio: 5.1
USA - 2017 - 98m - col
D: Eliza Hittman
Audio: 5.1
Brakes
UK - 2016 - 85m - col
D: Mercedes Grower
Audio: Mono
UK - 2016 - 85m - col
D: Mercedes Grower
Audio: Mono
Daddy's
Home 2
USA - 2017 - 100m - col
D: Sean Anders
Audio: 5.1
USA - 2017 - 100m - col
D: Sean Anders
Audio: 5.1
Indrajith
இந்த்ரஜித்
India - 2017 - 116m - col / scope
D: Kalaprabhu Thanu
Dolby Atmos
இந்த்ரஜித்
India - 2017 - 116m - col / scope
D: Kalaprabhu Thanu
Dolby Atmos
Jane
USA - 2017 - 90m - col
D: Brett Morgen
Audio: Stereo
USA - 2017 - 90m - col
D: Brett Morgen
Audio: Stereo
Kardeşim
Benim 2
Turk - 2017 - 115m - col / scope
D: Mert Baykal
Audio: 5.1
Turk - 2017 - 115m - col / scope
D: Mert Baykal
Audio: 5.1
Listy
Do M3
Pol - 2017 - 107m - col / scope
D: Tomasz Konecki
Audio: 5.1
Pol - 2017 - 107m - col / scope
D: Tomasz Konecki
Audio: 5.1
Lost
in Paris
Paris pieds nus
Belg/Fr - 2016 - 83m - col
D: Dominique Abel & Fiona Gordon [as: Abel & Gordon]
Audio: 5.1
Paris pieds nus
Belg/Fr - 2016 - 83m - col
D: Dominique Abel & Fiona Gordon [as: Abel & Gordon]
Audio: 5.1
Song
of Granite
Can/Ire - 2017 - 97m - bw
D: Pat Collins
Audio: 5.1
Can/Ire - 2017 - 97m - bw
D: Pat Collins
Audio: 5.1
The
Star
USA - 2017 - 86m - col / 3-D
D: Timothy Reckart
Audio: 5.1
USA - 2017 - 86m - col / 3-D
D: Timothy Reckart
Audio: 5.1
#Starvecrow
UK/It - 2017 - 89m - col
D: James Carver
Audio: 5.1
UK/It - 2017 - 89m - col
D: James Carver
Audio: 5.1
Suburbicon
USA/UK - 2017 - 104m - col / scope
D: George Clooney
Audio: 5.1
Home Video (premiere)
USA/UK - 2017 - 104m - col / scope
D: George Clooney
Audio: 5.1
-----oOo-----
Home Video (premiere)
27
Nov - 3 Dec 2017
Feature
films and TV movies released on UK home video for the first time,
with no prior UK cinema release (excluding festival screenings):
68
Kill
USA - 2017 - 98m - col / scope
D: Trent Haaga
Audio: 5.1
Foreman
USA - 2017 - 84m - col
D: Chris Perkel
Audio: 5.1
USA - 2017 - 98m - col / scope
D: Trent Haaga
Audio: 5.1
Foreman
USA - 2017 - 84m - col
D: Chris Perkel
Audio: 5.1
Gunpowder
UK (TV) - 2017 - 186m - 3 eps - col / scope
D: J Blakeson
Audio: Stereo
UK (TV) - 2017 - 186m - 3 eps - col / scope
D: J Blakeson
Audio: Stereo
I
Know Who You Are
Sé quién eres
Sp (TV) - 2017 - 1219m - 16 eps - col
D: Pau Freixas
Audio: Stereo
Sé quién eres
Sp (TV) - 2017 - 1219m - 16 eps - col
D: Pau Freixas
Audio: Stereo
Pearl
Jam: Let's Play Two
USA - 2017 - 120m - col
D: Danny Clinch
Audio: 5.1
USA - 2017 - 120m - col
D: Danny Clinch
Audio: 5.1
Reformation
Zwischen Himmel und Hölle
Ger (TV) - 2017 - 178m - 2 eps - col
D: Uwe Janson
Audio: Stereo
Zwischen Himmel und Hölle
Ger (TV) - 2017 - 178m - 2 eps - col
D: Uwe Janson
Audio: Stereo
Rush:
Time Stand Still
Can - 2016 - 97m - col
D: Dale Heslip
Audio: 5.1
Home Video (ex-cinema)
Can - 2016 - 97m - col
D: Dale Heslip
Audio: 5.1
-----oOo-----
Home Video (ex-cinema)
27
Nov - 3 Dec 2017
Feature
films and TV movies released on UK home video for the first time,
having previously been screened in UK cinemas:
47
Metres Down
UK/USA/Dominican Rep - 2016 - 89m - col / scope
D: Johannes Roberts
Audio: 5.1
UK/USA/Dominican Rep - 2016 - 89m - col / scope
D: Johannes Roberts
Audio: 5.1
The
Emoji Movie
USA - 2017 - 86m - col / scope / 3-D
D: Tony Leondis
Audio: 5.1
USA - 2017 - 86m - col / scope / 3-D
D: Tony Leondis
Audio: 5.1
Montparnasse
19
Les amants de Montparnasse (Montparnasse 19)
Fr/It - 1957 - 103m - bw
D: Jacques Becker
Originally premiered in UK cinemas as The Lovers of Montparnasse.
Audio: Mono
Les amants de Montparnasse (Montparnasse 19)
Fr/It - 1957 - 103m - bw
D: Jacques Becker
Originally premiered in UK cinemas as The Lovers of Montparnasse.
Audio: Mono
My
Blind Date With Life
Mein Blind Date mit dem Leben
Ger - 2017 - 111m - col / scope
D: Marc Rothemund
Audio: 5.1
Mein Blind Date mit dem Leben
Ger - 2017 - 111m - col / scope
D: Marc Rothemund
Audio: 5.1
My
Feral Heart
UK - 2015 - 83m - col
D: Jane Gull
Audio: 5.1
UK - 2015 - 83m - col
D: Jane Gull
Audio: 5.1
Problemos
Fr - 2017 - 82m - col / scope
D: Eric Judor
Audio: 5.1
Fr - 2017 - 82m - col / scope
D: Eric Judor
Audio: 5.1
Valerian
and the City of a Thousand Planets
Valérian et la cité des milles planètes
Fr/China/Ger/UAE/USA/Belg - 2017 - 137m - col / scope / 3-D
D: Luc Besson
Dolby Atmos / DTS:X / IMAX 12-track
Valérian et la cité des milles planètes
Fr/China/Ger/UAE/USA/Belg - 2017 - 137m - col / scope / 3-D
D: Luc Besson
Dolby Atmos / DTS:X / IMAX 12-track
War
for the Planet of the Apes
USA - 2017 - 140m - col / scope (6K HD) / 3-D
D: Matt Reeves
Dolby Atmos / IMAX 12-track
USA - 2017 - 140m - col / scope (6K HD) / 3-D
D: Matt Reeves
Dolby Atmos / IMAX 12-track
The
Work
Can - 2017 - 89m - col
D: Jairus McLeary
Audio: 5.1
Home Video (reissues)
27 Nov - 3 Dec 2017
Feature films and TV movies:
The Big Boss
唐山大兄
HK - 1971 - 100m - col / scope
D: Lo Wei
Audio: Mono
Dawn of the Planet of the Apes
Can - 2017 - 89m - col
D: Jairus McLeary
Audio: 5.1
-----oOo-----
Home Video (reissues)
27 Nov - 3 Dec 2017
Feature films and TV movies:
The Big Boss
唐山大兄
HK - 1971 - 100m - col / scope
D: Lo Wei
Audio: Mono
Dawn of the Planet of the Apes
USA
- 2014 - 130m - col / 3-D
D: Matt Reeves
Dolby Atmos
D: Matt Reeves
Dolby Atmos
Enter
the Dragon
USA/HK - 1973 - 98m - col / scope
D: Robert Clouse
Audio: Mono
USA/HK - 1973 - 98m - col / scope
D: Robert Clouse
Audio: Mono
Fantastic
Beasts and Where to Find Them
USA/UK - 2016 - 133m - col / scope / 3-D
D: David Yates
Dolby Atmos / Auro 11.1 / 70mm: 5.1 / IMAX 12-track
USA/UK - 2016 - 133m - col / scope / 3-D
D: David Yates
Dolby Atmos / Auro 11.1 / 70mm: 5.1 / IMAX 12-track
Fist
of Fury
精武門
HK - 1972 - 106m - col / scope
D: Lo Wei
Audio: Mono
精武門
HK - 1972 - 106m - col / scope
D: Lo Wei
Audio: Mono
Game
of Death
USA/HK - 1978 - 94m - col / scope
D: Robert Clouse (and Bruce Lee)
Audio: Mono
USA/HK - 1978 - 94m - col / scope
D: Robert Clouse (and Bruce Lee)
Audio: Mono
Harry
Potter and the Chamber of Secrets
USA/UK/Ger - 2002 - 161m - col / scope
D: Chris Columbus
Audio: 6.1
USA/UK/Ger - 2002 - 161m - col / scope
D: Chris Columbus
Audio: 6.1
Harry
Potter and the Deathly Hallows Part 1
USA/UK - 2010 - 146m - col / scope / 3-D
D: David Yates
Audio: 5.1 / IMAX 6-track
USA/UK - 2010 - 146m - col / scope / 3-D
D: David Yates
Audio: 5.1 / IMAX 6-track
Harry
Potter and the Deathly Hallows Part 2
USA/UK - 2011 - 130m - col / scope / 3-D
D: David Yates
Audio: 5.1 / IMAX 6-track
USA/UK - 2011 - 130m - col / scope / 3-D
D: David Yates
Audio: 5.1 / IMAX 6-track
Harry
Potter and the Goblet of Fire
USA/UK - 2005 - 157m/166m - col / scope
D: Mike Newell
Audio: 5.1 / IMAX 6-track
USA/UK - 2005 - 157m/166m - col / scope
D: Mike Newell
Audio: 5.1 / IMAX 6-track
Harry
Potter and the Half-Blood Prince
USA/UK - 2009 - 153m - col / scope / 3-D seq
D: David Yates
Audio: 5.1 / IMAX 6-track
USA/UK - 2009 - 153m - col / scope / 3-D seq
D: David Yates
Audio: 5.1 / IMAX 6-track
Harry
Potter and the Order of the Phoenix
USA/UK - 2007 - 138m - col / scope / 3-D seq
D: David Yates
Audio: 5.1 / IMAX 6-track
USA/UK - 2007 - 138m - col / scope / 3-D seq
D: David Yates
Audio: 5.1 / IMAX 6-track
Harry
Potter and the Philosopher’s Stone
Harry Potter and the Sorcerer’s Stone
USA/UK - 2001 - 152m - col / scope
D: Chris Columbus
Audio: 7.1
Harry Potter and the Sorcerer’s Stone
USA/UK - 2001 - 152m - col / scope
D: Chris Columbus
Audio: 7.1
Harry
Potter and the Prisoner of Azkaban
USA/UK - 2004 - 142m - col / scope
D: Alfonso Cuarón
Audio: 5.1 / IMAX 6-track
USA/UK - 2004 - 142m - col / scope
D: Alfonso Cuarón
Audio: 5.1 / IMAX 6-track
Howards
End
UK - 1991 - 142m - col / scope
D: James Ivory
4.2-channel Dolby Stereo
UK - 1991 - 142m - col / scope
D: James Ivory
4.2-channel Dolby Stereo
I
Bought a Vampire Motorcycle
UK - 1989 - 105m - col
D: Dirk Campbell
Dolby Stereo
UK - 1989 - 105m - col
D: Dirk Campbell
Dolby Stereo
The
L-Shaped Room
UK - 1962 - 142m - bw
D: Bryan Forbes
Audio: Mono
UK - 1962 - 142m - bw
D: Bryan Forbes
Audio: Mono
Men
in Black
USA - 1997 - 98m - col
D: Barry Sonnenfeld
Audio: 7.1
USA - 1997 - 98m - col
D: Barry Sonnenfeld
Audio: 7.1
Men
in Black 3
USA - 2012 - 106m - col / 3-D
D: Barry Sonnenfeld
Audio: 5.1 / IMAX 6-track
USA - 2012 - 106m - col / 3-D
D: Barry Sonnenfeld
Audio: 5.1 / IMAX 6-track
Men
in Black II
USA - 2002 - 88m - col
D: Barry Sonnenfeld
Audio: 7.1
USA - 2002 - 88m - col
D: Barry Sonnenfeld
Audio: 7.1
Rise
of the Planet of the Apes
USA/UK/Aus - 2011 - 105m - col / scope
D: Rupert Wyatt
Audio: 5.1
The Way of the Dragon
猛龍過江
HK - 1972 - 99m - col / scope
D: Bruce Lee
Audio: Mono
Note:
Be aware that scope or 3-D movies may not always be replicated that way on home video. Similarly, some video releases may offer a different audio configuration to the one originally intended (5.1, Dolby Atmos, etc.). In each case, the Index provides details of the primary audio-visual specifications, and any video version which deviates from these specs constitutes a revision of the original intentions, potentially compromising the effectiveness of the presentation.
Also, the given running time assumes a projected frame-rate of 24 frames per second (except for TV material in countries where the broadcast frame-rate is 25fps). Most VHS and DVD releases in the UK are replicated at 25fps, causing a subliminal speed-up that 'reduces' the running time by around 4 per cent. Most Blu-ray releases (including 4K) are replicated at the original 24fps.
USA/UK/Aus - 2011 - 105m - col / scope
D: Rupert Wyatt
Audio: 5.1
The Way of the Dragon
猛龍過江
HK - 1972 - 99m - col / scope
D: Bruce Lee
Audio: Mono
-----oOo-----
Note:
Be aware that scope or 3-D movies may not always be replicated that way on home video. Similarly, some video releases may offer a different audio configuration to the one originally intended (5.1, Dolby Atmos, etc.). In each case, the Index provides details of the primary audio-visual specifications, and any video version which deviates from these specs constitutes a revision of the original intentions, potentially compromising the effectiveness of the presentation.
Also, the given running time assumes a projected frame-rate of 24 frames per second (except for TV material in countries where the broadcast frame-rate is 25fps). Most VHS and DVD releases in the UK are replicated at 25fps, causing a subliminal speed-up that 'reduces' the running time by around 4 per cent. Most Blu-ray releases (including 4K) are replicated at the original 24fps.
