Monday 19 December 2016

MFB: July 1980





Monthly Film Bulletin
July 1980
Vol. 47 No. 558




7th Heaven
USA - 1927 - silent - bw
Fox (A)
D: Frank Borzage


Adult Fairy Tales
Fairy Tales
USA - 1978 - 79m - col / scope
Productions Associates (X) (cut)
D: Harry Hurwitz [as: Harry Tampa]

Angi Vera
Hungary - 1978 - 96m - col
Cinegate (A)
D: Pál Gábor

Army of Lovers or Revolt of the Perverts
Armee der Liebenden oder Revolte der Perversen
W.Germany - 1979 - 107m - col
The Other Cinema
D: Rosa von Praunheim

Being There
USA - 1979 - 130m - col
ITC (AA)
D: Hal Ashby

The Big Red One
USA - 1980 - 162m/113m - col
ITC (AA)
D: Samuel Fuller
Originally released at 113m, then subsequently restored to an approximation of the director's original intentions.
Dolby Stereo

The Blood Spattered Bride
La novia ensangrentada
Spain - 1972 - 102m - col
Eagle (X) (cut)
D: Vicente Aranda

Bronco Billy
USA - 1980 - 116m - col
Columbia-EMI-Warner (A)
D: Clint Eastwood





Cinema Cinema
France/USA - 1979 - 104m - col
Movie World Promotions (AA)
D: Krishna Shah


Confession of a Concubine
I Want More
官人我要
(aka: Injustice, My Lord!)
Hong Kong - 1975 - 91m - col / scope
Tigon (X)
D: Peter Yang Kwan, Chen Chi-hwa

Confessions of the Campus Virgins
Die Schulmädchen vom Treffpunkt Zoo
(USA: Train Station Pickups)
(aka: Confessions of a Sixth Form Virgin)
W.Germany - 1979 - 88m - col
New Realm (X)
D: Walter Boos

The Day Time Ended
USA - 1979 - 80m - col / scope
Transworld (A)
D: John 'Bud' Cardos

Defiance
USA - 1979 - 102m - col
ITC (X)
D: John Flynn

Desire
USA - 1936 - 91m - bw
Paramount (A)
D: Frank Borzage
Also reviewed: Apr 1936.

The Empire Strikes Back
[see: Star Wars Episode V: The Empire Strikes Back]

Erotic Encounters
L'amour chez les poids lourds
(USA: Traveling Companions)
(aka: Truck Stop)
France/Italy - 1978 - 95m - col / scope
Tigon (X) (cut)
D: Jean-Marie Pallardy

Fame
USA - 1980 - 133m - col
CIC (AA)
D: Alan Parker
35mm and 70mm release prints.
4.2-channel Dolby Stereo

The Final Countdown
USA - 1980 - 105m - col / scope
United Artists (A) (cut)
D: Don Taylor
Dolby Stereo

Forget Venice
Dimenticare Venezia
(USA: To Forget Venice)
Italy/France - 1979 - 107m - col
Connoisseur (X)
D: Franco Brusati

Friday the 13th
USA - 1980 - 95m - col
Columbia-EMI-Warner (X) (cut)
D: Sean S. Cunningham
The film was originally released uncut for cinema and video, but when the video was submitted for censorship in 1987 - following the introduction of the VRA - the BBFC was only prepared to pass the US R-rated edition (censored to curtail some of the bloodier highlights). The distributors subsequently claimed the film was being released 'uncut' - technically true, but completely misleading. The uncensored version was finally restored for video in 2003.
Followed by: Friday the 13th Part 2 (1981, Jul/1981), Friday the 13th Part III (1982, May/1983), Friday the 13th: The Final Chapter (1984, Jun/1984), Friday the 13th: A New Beginning (1985, Aug/1985), Jason Lives: Friday the 13th Part VI (1986, Apr/1988), Friday the 13th Part VII - The New Blood (1987), Friday the 13th Part VIII: Jason Takes Manhattan (1989), Jason Goes to Hell: The Final Friday (1993), Jason X (2000, Aug/2002), Freddy vs. Jason (2003, Nov/2003).




A Girl in Every Port
USA - 1928 - silent - bw
BFI
D: Howard Hawks

The Great Rock 'n' Roll Swindle
UK - 1979 - 104m - col
Virgin (X) (cut)
D: Julian Temple

The Grim Reaper
La commare secca
Italy - 1962 - 100m - bw
Mithras (AA)
D: Bernardo Bertolucci

I grossi bestioni
[see: Erotic Encounters]


Hard Stuff
A Time to Love
USA - 1971 - 93m - col
Poseidon (X) (cut)
D: Jay Campbell, Harold Kovner

Hide in Plain Sight
USA - 1980 - 92m - col / scope
CIC (A)
D: James Caan

Hurricane
(aka: Forbidden Paradise)
USA - 1979 - 120m - col / scope
ITC (A) (cut)
D: Jan Troell
35mm and 70mm release prints.
4.2-channel Dolby Stereo


I Feel It Rising
Temptations
USA - 1976 - 80m - col
Poseidon (X) (cut)
D: Bill Milling [as: Luis F. Antonero]
Contemporary ad-mats credit Milling as director under his pseudonym 'Dexter Eagle', though he's actually credited on-screen as Antonero.

Journeys From Berlin/1971
USA - 1980 - 125m - col and bw
BFI
D: Yvonne Rainer

The Last Flight of Noah's Ark
USA - 1980 - 98m - col
Walt Disney (U)
D: Charles Jarrott

Little Darlings
USA - 1980 - 94m - col / scope
CIC (AA)
D: Ronald F. Maxwell

Little Miss Marker
USA - 1980 - 102m - col
CIC (U)
D: Walter Bernstein

Long Shot
UK - 1978 - 85m - col
Mithras (AA)
D: Maurice Hatton

Long Weekend
Australia - 1977 - 97m - col / scope
Bordeaux (AA)
D: Colin Eggleston

Marigolds in August
S.Africa - 1979 - 87m - col
Contemporary (A)
D: Ross Devenish




One Way or Another
De cierta manera
(USA: Sort Of)
Cuba - 1977 - 78m - bw
The Other Cinema
D: Julio García Espinoza, Thomas González Pérez, Tomás Gutiérrez Alea, Sara Gómez

Les rendez-vous d'Anna
(USA: The Meetings of Anna)
France/Belgium/W.Germany - 1978 - 127m - col
The Other Cinema (AA)
D: Chantal Akerman

Somewhere in Hackney
UK - 1980 - 50m - col
Concord
D: Ron Orders

Star Wars Episode V: The Empire Strikes Back
USA - 1980 - 124m - col / scope
20th Century Fox (U)
D: Irvin Kershner
35mm and 70mm release prints.
Series: Star Wars (1977, Nov/1977 + Apr/1997).
4.2-channel Dolby Stereo

Street Angel
USA - 1928 - silent - bw
Fox (A) (cut)
D: Frank Borzage
Though produced as a silent film, music and sound effects were created for some prints.

Triangle of Lust
Teufelscamp der verlorenen Frauen
W.Germany/Spain/Austria - 1977 - 91m - col
S. Film Enterprises (X) (cut)
D: Hubert Frank

Working Title: Journeys From Berlin/1971
[see: Journeys From Berlin/1971]

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