S&S: May 1996

Introduction for newcomers

Sight & Sound

May 1996

Vol. 6 No. 5

Before and After

USA - 1995 - 108m - col

Buena Vista (12)

D: Barbet Schroeder
Audio: 5.1

The Birdcage

USA - 1996 - 117m - col

Buena Vista (15)

D: Mike Nichols
Audio: 5.1

Blue in the Face

USA - 1995 - 84m - col

Artificial Eye (15)

D: Wayne Wang, Paul Auster
Dolby Stereo

Copycat

USA - 1995 - 123m - col / scope

Warner (18)

D: Jon Amiel
Audio: 5.1

Frankie Starlight

USA/Ireland/UK/France - 1995 - 101m - col

Film Four

D: Michael Lindsay-Hogg
Audio: 5.1

Hackers

USA - 1995 - 105m - col / scope

UIP (12)

D: Iain Softley
DTS Stereo

kids

USA - 1995 - 91m - col

Electric (18) (cut)

D: Larry Clark
Dolby Stereo

Mary Reilly

USA - 1996 - 109m - col

Columbia TriStar (15)

D: Stephen Frears
Audio: 7.1

Mr. Holland’s Opus

USA - 1995 - 143m - col / scope

PolyGram (PG)

D: Stephen Herek
Audio: 5.1

Nick of Time

USA - 1995 - 89m - col

UIP (15)

D: John Badham
Audio: 5.1

Powder

USA - 1995 - 112m - col

Buena Vista (12)

D: Victor Salva
Audio: 5.1

Richard III

UK/USA - 1995 - 104m - col / scope

Guild / Mayfair (15)

D: Richard Loncraine
Audio: 5.1

[Safe]

USA - 1995 - 118m - col

Metro Tartan (15)

D: Todd Haynes

Sgt. Bilko

USA - 1996 - 94m - col / scope

UIP (PG)

D: Jonathan Lynn
Audio: 5.1

Stonewall

UK - 1995 - 99m - col

Metro Tartan (15)

D: Nigel Finch
Dolby Stereo

Sudden Death

USA - 1995 - 111m - col / scope

UIP (18)

D: Peter Hyams
Audio: 5.1

Things to Do in Denver When You’re Dead

USA - 1995 - 115m - col

Buena Vista (18)

D: Gary Fleder
Dolby Stereo

White Squall

USA - 1996 - 129m - col / scope

First Independent (12)
D: Ridley Scott
Audio: 5.1