Friday, 18 January 2019

2019: January 18 - 27




Cinema
18 - 24 Jan 2019

Feature films screened in UK cinemas for the first time:

Beautiful Boy
USA - 2018 - 120m - col
D: Felix van Groeningen
Audio: 5.1

Glass
USA - 2019 - 129m - col / scope
D: M. Night Shyamalan
D-Cinema and IMAX-D/L release prints.
Dolby Atmos / IMAX 12-channel

Hey Duggee at the Cinema
UK - 2018 - 63m - col
D: Grant Orchard
Audio: 5.1

Jack Em Popoy: The Puliscredibles
Phil - 2018 - 115m - col
D: Michael Tuviera
Audio: 5.1

Kaka Ji
ਕਾਕਾ ਜੀ
India - 2019 - 123m - col / scope
D: Mandeep Benipal
Audio: 5.1

London Unplugged
UK - 2018 - 86m - col / scope
D: Layke Anderson, Natalia Casali, Nick Cohen, Mitchell Crawford, Andres Heger-Bratterud, Ben Jacobson, Rosanna Lowe, Gaelle Mourre, Qi Zhang, Kaki Wong
Audio: 5.1

Mary Queen of Scots
UK - 2018 - 124m - col / scope
D: Josie Rourke
Audio: 5.1

Monsters and Men
USA - 2018 - 95m - col / scope
D: Reinaldo Marcus Green
Audio: 5.1

The Raft
Flotten
Swd/Den/Ger/USA - 2018 - 98m - col / scope
D: Marcus Lindeen
Audio: 5.1

Underdog
Pol - 2019 - 116m - col / scope
D: Maciej Kawulski
Audio: 5.1




Home Video (premiere)
21 - 27 Jan 2019

Feature films and TV movies released on UK home video for the first time, with no prior UK cinema release (excluding festival screenings):

Brexit: The Uncivil War
UK (TV) - 2019 - 92m - col
D: Toby Haynes
Audio: Stereo

Curse of the Witch's Doll
UK - 2018 - 95m - col / scope
D: Lawrence Fowler
Audio: 5.1

Dead Trigger
USA - 2017 - 91m - col / scope
D: Mike Cuff, Scott Windhauser
Audio: 5.1

Duplicate
Jonathan
USA - 2018 - 95m - col / scope
D: Bill Oliver
Audio: 5.1

Mrs Wilson
UK (TV) - 2018 - 169m - 3 eps - col / scope
D: Richard Laxton
Audio: Stereo

Occupation
Aus - 2018 - 119m - col / scope
D: Luke Sparke
Audio: 5.1

One Cut of the Dead
カメラを止めるな!
Jpn - 2017 - 96m - col
D: Shin'ichirō Ueda
Audio: 5.1

Paradox
殺破狼.貪狼
HK - 2017 - 101m - col / scope
D: Wilson Yip Wai-shun
Audio: 5.1

R.P.M.
USA - 1970 - 92m - col
D: Stanley Kramer
Audio: Mono

Speed Kills
Puerto Rico - 2018 - 102m - col / scope
D: Jodi Scurfield
Audio: 5.1

Take Me Home
UK (TV) - 1989 - 177m - 3 eps - col
D: Jane Howell
Audio: Mono



Home Video (ex-cinema)
21 - 27 Jan 2019

Feature films and TV movies released on UK home video for the first time, having previously been screened in UK cinemas:

The Children Act
UK/USA - 2017 - 105m - col
D: Richard Eyre
Audio: 5.1

Crazy Rich Asians
USA - 2018 - 121m - col / scope
D: Jon M. Chu
Audio: 5.1

The Festival Game
UK - 1969 - 50m - col
D: Tony Klinger, Mike Lytton
Audio: Mono

The Intent 2: The Come Up
UK - 2018 - 103m - col / scope
D: Femi Oyeniran, Nicky Slimting Walker
Audio: 5.1

King of Thieves
UK - 2018 - 108m - col / scope
D: James Marsh
Audio: 5.1

The Last Movie
USA - 1971 - 108m - col
D: Dennis Hopper
Audio: Mono

The Seagull
USA - 2018 - 99m - col / scope
D: Michael Mayer
Audio: 5.1

A Simple Favour
A Simple Favor
USA - 2018 - 117m - col / scope
D: Paul Feig
Audio: 5.1

Skate Kitchen
USA - 2018 - 106m - col
D: Crystal Moselle
Audio: 5.1

-----oOo-----


Home Video (reissues)
21 - 27 Jan 2019

Feature films and TV movies:

Born Yesterday
USA - 1950 - 102m - bw
D: George Cukor
Audio: Mono

Breakout
USA - 1975 - 96m - col / scope
D: Tom Gries
Audio: Mono

Diamonds of the Night
Démanty noci
Czech - 1964 - 64m - bw
D: Jan Nemec
Audio: Mono

Gardens of Stone
USA - 1987 - 112m - col
D: Francis Ford Coppola
Dolby Stereo

Hush... Hush, Sweet Charlotte
USA - 1964 - 134m - bw
D: Robert Aldrich
Audio: Mono

The Key to Rebecca
USA (TV) - 1985 - 194m - 2 eps - col
D: David Hemmings
Audio: Mono

Lorna Doone
UK (TV) - 1976 - 260m - 5 eps - col
D: Joan Craft
Audio: Mono

Opera
It - 1987 - 107m - col / scope
D: Dario Argento
Originally premiered on UK VHS as Terror at the Opera.
Dolby Stereo

Sawdust and Tinsel
Gycklarnas afton
Swd - 1953 - 95m - bw
D: Ingmar Bergman
Audio: Mono

A Star is Born
USA - 1976 - 140m - col
D: Frank Pierson
4-channel Dolby Stereo

Waterworld
USA - 1995 - 134m - col
D: Kevin Reynolds
Audio: 5.1
-----oOo-----


Note:

Be aware that scope or 3-D movies may not always be replicated that way on home video. Similarly, some video releases may offer a different audio configuration to the one originally intended (5.1, Dolby Atmos, etc.). In each case, the Index provides details of the primary audio-visual specifications, and any video version which deviates from these specs constitutes a revision of the original intentions, potentially compromising the effectiveness of the presentation.

Also, the given running time assumes a projected frame-rate of 24 frames per second (except for TV material in countries where the broadcast frame-rate is 25fps). Most VHS and DVD releases in the UK are replicated at 25fps, causing a subliminal speed-up that 'reduces' the running time by around 4 per cent. Most Blu-ray releases (including 4K) are replicated at the original 24fps.

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