Cinema
18
- 24 Jan 2019
Feature
films screened in UK cinemas for the first time:
Beautiful
Boy
USA
- 2018 - 120m - col
D:
Felix van Groeningen
Audio:
5.1
Glass
USA
- 2019 - 129m - col / scope
D:
M. Night Shyamalan
D-Cinema
and IMAX-D/L release prints.
Dolby
Atmos / IMAX 12-channel
Hey
Duggee at the Cinema
UK
- 2018 - 63m - col
D:
Grant Orchard
Audio:
5.1
Jack
Em Popoy: The Puliscredibles
Phil
- 2018 - 115m - col
D:
Michael Tuviera
Audio:
5.1
Kaka
Ji
ਕਾਕਾ ਜੀ
India
- 2019 - 123m - col / scope
D:
Mandeep Benipal
Audio:
5.1
London
Unplugged
UK
- 2018 - 86m - col / scope
D:
Layke Anderson, Natalia Casali, Nick Cohen, Mitchell Crawford, Andres
Heger-Bratterud, Ben Jacobson, Rosanna Lowe, Gaelle Mourre, Qi Zhang,
Kaki Wong
Audio:
5.1
Mary
Queen of Scots
UK
- 2018 - 124m - col / scope
D:
Josie Rourke
Audio:
5.1
Monsters
and Men
USA
- 2018 - 95m - col / scope
D:
Reinaldo Marcus Green
Audio:
5.1
The
Raft
Flotten
Swd/Den/Ger/USA
- 2018 - 98m - col / scope
D:
Marcus Lindeen
Audio:
5.1
Underdog
Pol
- 2019 - 116m - col / scope
D:
Maciej Kawulski
21
- 27 Jan 2019
Feature
films and TV movies released on UK home video for the first time,
with no prior UK cinema release (excluding festival screenings):
Brexit:
The Uncivil War
UK
(TV) - 2019 - 92m - col
D:
Toby Haynes
Audio:
Stereo
Curse
of the Witch's Doll
UK
- 2018 - 95m - col / scope
D:
Lawrence Fowler
Audio:
5.1
Dead
Trigger
USA
- 2017 - 91m - col / scope
D:
Mike Cuff, Scott Windhauser
Audio:
5.1
Duplicate
Jonathan
USA
- 2018 - 95m - col / scope
D:
Bill Oliver
Audio:
5.1
Mrs
Wilson
UK
(TV) - 2018 - 169m - 3 eps - col / scope
D:
Richard Laxton
Audio:
Stereo
Occupation
Aus
- 2018 - 119m - col / scope
D:
Luke Sparke
Audio:
5.1
One
Cut of the Dead
カメラを止めるな!
Jpn
- 2017 - 96m - col
D:
Shin'ichirō Ueda
Audio:
5.1
Paradox
殺破狼.貪狼
HK
- 2017 - 101m - col / scope
D:
Wilson Yip Wai-shun
Audio:
5.1
R.P.M.
USA
- 1970 - 92m - col
D:
Stanley Kramer
Audio:
Mono
Speed
Kills
Puerto
Rico - 2018 - 102m - col / scope
D:
Jodi Scurfield
Audio:
5.1
Take
Me Home
UK
(TV) - 1989 - 177m - 3 eps - col
D:
Jane Howell
Home
Video (ex-cinema)
21
- 27 Jan 2019
Feature
films and TV movies released on UK home video for the first time,
having previously been screened in UK cinemas:
The
Children Act
UK/USA
- 2017 - 105m - col
D:
Richard Eyre
Audio:
5.1
Crazy
Rich Asians
USA
- 2018 - 121m - col / scope
D:
Jon M. Chu
Audio:
5.1
The
Festival Game
UK
- 1969 - 50m - col
D:
Tony Klinger, Mike Lytton
Audio:
Mono
The
Intent 2: The Come Up
UK
- 2018 - 103m - col / scope
D:
Femi Oyeniran, Nicky Slimting Walker
Audio:
5.1
King
of Thieves
UK
- 2018 - 108m - col / scope
D:
James Marsh
Audio:
5.1
The
Last Movie
USA
- 1971 - 108m - col
D:
Dennis Hopper
Audio:
Mono
The
Seagull
USA
- 2018 - 99m - col / scope
D:
Michael Mayer
Audio:
5.1
A
Simple Favour
A
Simple Favor
USA
- 2018 - 117m - col / scope
D:
Paul Feig
Audio:
5.1
Skate
Kitchen
USA
- 2018 - 106m - col
D:
Crystal Moselle
Audio:
5.1
-----oOo-----
Home
Video (reissues)
21
- 27 Jan 2019
Feature
films and TV movies:
Born
Yesterday
USA
- 1950 - 102m - bw
D:
George Cukor
Audio:
Mono
Breakout
USA
- 1975 - 96m - col / scope
D:
Tom Gries
Audio:
Mono
Diamonds
of the Night
Démanty
noci
Czech
- 1964 - 64m - bw
D:
Jan Nemec
Audio:
Mono
Gardens
of Stone
USA
- 1987 - 112m - col
D:
Francis Ford Coppola
Dolby
Stereo
Hush...
Hush, Sweet Charlotte
USA
- 1964 - 134m - bw
D:
Robert Aldrich
Audio:
Mono
The
Key to Rebecca
USA
(TV) - 1985 - 194m - 2 eps - col
D:
David Hemmings
Audio:
Mono
Lorna
Doone
UK
(TV) - 1976 - 260m - 5 eps - col
D:
Joan Craft
Audio:
Mono
Opera
It
- 1987 - 107m - col / scope
D:
Dario Argento
Originally
premiered on UK VHS as Terror at the Opera.
Dolby
Stereo
Sawdust
and Tinsel
Gycklarnas
afton
Swd
- 1953 - 95m - bw
D:
Ingmar Bergman
Audio:
Mono
A
Star is Born
USA
- 1976 - 140m - col
D:
Frank Pierson
4-channel
Dolby Stereo
Waterworld
USA
- 1995 - 134m - col
D:
Kevin Reynolds
Audio:
5.1
-----oOo-----
Note:
Be
aware that scope or 3-D movies may not always be replicated that way
on home video. Similarly, some video releases may offer a different
audio configuration to the one originally intended (5.1, Dolby Atmos,
etc.). In each case, the Index provides details of the primary
audio-visual specifications, and any video version which deviates
from these specs constitutes a revision of the original intentions,
potentially compromising the effectiveness of the presentation.
Also, the given running time assumes a projected frame-rate of 24 frames per second (except for TV material in countries where the broadcast frame-rate is 25fps). Most VHS and DVD releases in the UK are replicated at 25fps, causing a subliminal speed-up that 'reduces' the running time by around 4 per cent. Most Blu-ray releases (including 4K) are replicated at the original 24fps.
Also, the given running time assumes a projected frame-rate of 24 frames per second (except for TV material in countries where the broadcast frame-rate is 25fps). Most VHS and DVD releases in the UK are replicated at 25fps, causing a subliminal speed-up that 'reduces' the running time by around 4 per cent. Most Blu-ray releases (including 4K) are replicated at the original 24fps.
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